English 2379: Introduction to Science Fiction

 

English 2379 surveys readings representing major science fiction literary types which present the complications of human existence coupled with technology and science. The course examines the roots of science fiction writing, as well as how it has grown, and what is anticipated for the 21st century. The course also examines ideas presented about the world, the tools we may use to develop and transform it, and allows for discussion and speculation about those tools. Ideologies discussed come from the hard sciences rather than from the soft, so investigation may encompass non-traditional and traditional research topics. English 2379 is a writing intensive (WI) course.

 

Required Background:

Prerequisite: Successful completion of English 1301 and 1302 [a grade of C or better].

 

Text and or Reference Materials

Roberts, Prentice Hall Book of Science Fiction, 1/e. Upper Saddle River, N.J.: Prentice Hall, 2000.

Trimmer, Joseph. A Guide to MLA Documentation. Boston: Houghton-Mifflin, 1999.

 

Supplies Necessary for the course:

Writing utensils, paper, texts, 3.5" High Density Diskette, computer access for Internet research for the course.

 

Course Delivery Methods:

Lecture, assigned readings, discussion, video, preparation of researched essays, class presentations, group work.

 

Course Grade

Based on participation in the class activities, successful completion of assigned written work, and regular class attendance. 60% formal and informal writing assignments; 30% attendance and participation (reading quizzes); 10% final.

 

Course Content, generally:

Analytical reading of representative authors and works

Analytical writings about literature focusing on the research writing process, to include: thesis statement, outlining, essay, grammar, mechanics, and works cited.

Library/Internet Research techniques used in writing about literature, authors and/or movements.

Study of major literary movements in Science Fiction

Critical vocabulary for literary analysis and synthesis

Vocabulary required by the genre of literature

Study of techniques, styles, and works of major writers of each Science Fiction.

Study of the cultural ideas and philosophies that have influenced Science Fiction

A minimum of 2000 words of analytical writing

 

Course Objectives/Outcome

English 2379 students should be able to demonstrate the ability

-- to adapt the particular rhetorical demands of audience to appropriate style, purpose, structure, and format;

-- to apply appropriate modes of expression, including informative, persuasive, descriptive, and narrative

--to understand professional writing as a recursive, connected, and interactive process which includes rewriting, drafting, revising, editing, and proofreading;

-- to read, analyze, and synthesize various professional materials;

-- to apply the proper integration of cited materials and documentation from appropriate style manuals;

-- to understand the importance of cooperative and collaborative discussions

 

Competencies

At the completion of 2379, the student will be able to

-- write an analysis of a work or works in Science Fiction

-- use research techniques and documentation.

-- define the characteristics of each literary movement studied.

-- identify the characteristics of the movement in the works studied.

-- discuss/verbalize the philosophical viewpoint of major authors.

-- identify titles, authors, and important lines from the works of the genre. Interpret the meaning of the literature on one or more levels (conflict, theme, symbol, character, etc.)

 

Evaluation B all assignments are the basis for on-going performance evaluation

Assignments usually resemble the following samples:

Write a literary analysis or analyses of a work or works of literature demonstrating an understanding of the work of works and the ability to write a unified paper using standard English grammar and sentence structure.

The paper should quote from the literary work or works to support the thesis of the paper.

Demonstrate skill in using varied research techniques and accurate documentation of sources.

Define terms from Science Fiction in a testing situation.

Identify characteristics of Science Fiction in a testing situation.

Write short essay discussions identifying the philosophies of major writers of Science Fiction in a testing situation.

Write short essays analyzing selected works from each movement on at least one level (conflict, symbol, theme, character, etc.) in a testing situation.

Complete a minimum of 2000 words of writing in a combination of assignments: literary analyses, researched reports, and essay exams.

 

Absence Policy

According to college policy: AA student absent the equivalent of two weeks may be dropped from the course.@ Both tardiness and early departure constitute absence. Additionally, absences of a student are recorded from the first day of a student=s enrollment in the course after classes begin. For the complete text of the absence policy, see the San Antonio College Bulletin. For eight week flex term classes, students may be dropped upon their second absence. Likewise, for evening summer school sessions, two absences equals two weeks. Regular and punctual attendance of all classes is required.

 

Comment:

Despite folklore, SAC does not have a cut policy. Students are fully responsible for all information given during absences. Absence is no excuse for late work, missed work, or later inefficiency. Excessive absences adversely affects grades; in fact, 3 tardies = 1 absence. A student who remains after excessive absences resigns the right to exemplary grades, but may pass by meritorious performance, zero additional absences, zero additional tardies. Report prolonged absence to the College Clinic: 733-2790. Except for documented military appointments, medical/dental appointments are not recognized as excuses for absences, neither is leaving early to pick up someone at the airport, etcetera. Emergencies will be handled on a case by case basis.

 

Academic Dishonesty Policy

Students found guilty of an act of academic dishonesty may be subject to an academic penalty, including one or more in not inconsistent:

1. A requirement to complete additional academic work not required of other students enrolled in the course.

2. A reduction in grade;

3. Assignment of a grade of AF@ in the course.

Plagiarism is a serious academic crime and will cause serious consequences for the student.

 

Tutorial and/or Help Sessions Available

Tutoring assistance is available in the English department writing lab (GH 118) and in the Student Learning Assistance Center (MLC 726).

 

Children in the Classroom

Students are urged not to bring children either to a class or a lab. Minors under the age of 12

(twelve) must not be left unattended on campus.

 

Students with Disabilities

As per section 504 of the Vocational Rehabilitation Act of 1973 and the Americans with Disabilities Act of 1990, if accommodation is needed, contact the office of Disabled Student Services, (CAC 124C) at 733-2347.

 

Other Policies

All other policies and procedures out lined in the Bulletin of San Antonio College and in college Student Code of Conduct will be enforced in this course.

 

How to Succeed in This Class

 

What you will learn will depend upon your commitment to this course. You will be uncomfortable at times, frustrated, entertained, and definitely challenged. Establish a disciplined pattern early. All assigned readings are mandatory. Come to class having read the entire reading assignment and be ready to respond to reading quizzes which will assess you reading and your ability to retain information that you have studied. If you do not participate in class discussion, there will be no way to ear and AA@ or a AB.@ Late assignments will not be accepted unless rare circumstances exist. Papers can be turned in at any time up to the dates that they are due. Late papers will lose points. Talk to me.

 

Successful Writing:

A student must pass English 1302, or have advanced placement standing before being eligible for English 2322. In other words, this course builds upon the skills you learned and practiced in English 1302, particularly MLA style in-text documentation, analysis for purpose and technique, and applying the principles of standard edited American English. During the course of the semester, the student will write several researched essays in which outside sources have been synthesized and which use MLA research and documentation techniques for presentation.

All formal written materials require formal edited American English with documentation according to MLA style. Researched work requires a mixture of several sources in several formats, including monographs, articles in specialized journals and anthologies, as well as electronic sources. CD-ROM Encyclopedia articles are not appropriate. A single article from a specialized encyclopedia may be use in each paper.

The final draft of each formal paper must be submitted, double spaced, in typewritten or computer printed form. Pages must be stapled together, upper right. Improperly documenting and introducing sources in a paper may result in a failing grade. Use an original title on every paper.

For informal writing, you may use regular notebook paper, not that ripped from spiralbound notebooks. Use dark ink and mark through errors with proofreading marks. Right hand margins must equal left hand margins. Staple pages together. If ink bleeds, do not write on the back of a sheet. If an assignment is illegible, it will not be graded.

Content is not a substitute for correct writing. Your skills in grammar, punctuation, and mechanics must be reflected in your work. Edit to correct errors. If you do not have a firm understanding of the framework of writing, buy a handbook and keep it always; use it as a reference by which you can make any writing effort better. A good one is Ann Raimes= Keys for Writers.

There are plenty of quizzes in the course which demonstrate a variety of things. First and foremost that you read the assigned materials and can write about them. They also provide me insight into your discovery. Daily quizzes are not ordinarily made up; if you=re tardy, you=ll be out of luck. Some assessments must be made up at the convenience of the instructor. All scores are indicators used by the instructor in arriving at an overall judgment of the student=s achievement and proficiency. Comprehensive understanding must be retained beyond the quiz. What you learn must be durable so that you may access it as necessary.

 

THINKING IS IMPERATIVE IN THIS COURSE.

 

Suggestions for Successful Reading:

1. Use your book. Arm yourself with a pen or pencil while you read. Underline quotations, write comments, star passages that you wish to return to for further thought. Record important references and thoughts in your reading notes.

2. Pay attention to your own responses. When a text moves or delights or disappoints you, as yourself why. Note passages that puzzle you. Bring them up during discussion.

3. Try to make sense of a text. As you read, try to figure out what the values are of the culture that produced the work. What values or qualities are downplayed, denigrated or overlooked? Make comparisons and contrasts with your own culture.

4. Question as you read. Formulate study questions, address specific passages and general themes.

Suggestions for Successful Discussion:

1. Talk. The success and liveliness of a discussion depends on its students, not its instructor. If you talk, the whole class will build momentum. If you remain reserved, we will all lose interest. Even when you dislike a text it makes sense to talk about it; you=ll remember ideas and responses much better if you give them voice. You may even change your mind about a text.

2. Listen and respond. Classes eventually dead-end when the participants are only out to show the teacher what they=ve figured out before a class starts. Pay attention to your classmates. Take their ideas seriously, and ask them questions about what they=ve stated. Make sure your comments follow relevantly from previous comments. And look at your classmates, not just at the instructor when you respond to ideas. Listening is more difficult and more interesting than you think. Use discussion to practice good listening.

3. Be prepared to back up what you say. Always bring your textbook to class. You=ll need pertinent questions or a clear argument to convince your classmates of your claims. Don=t be impatient if someone fails to understand the import of what you say. Be prepared to restate or rephrase in other terms if you haven=t been entirely clear. No one can read your mind, either.

4. Be courteous. Eliminate the following behaviors from your classroom demeanor:

лл Don=t railroad your classmates as if yours is the only pertinent idea in the text.

лл Don=t interrupt people.

лл Don=t scorn other people=s ideas and opinions; you can argue against something without disparaging it.

лл Don=t indulge in private conversation during class or in the midst of a group discussion.

лл The classroom is smaller than you think, and such behavior distracts all others in the room.

лл Stay alert; there is no excuse for falling asleep.

лл Don=t slam the door entering or leaving the classroom during an active session.

 

 

Course calendar:

May be subject to change. Readings will be completed before the meeting and are central to our discussions; always prepare for a reading quiz.

 

Week 1: Intro to course. Discussion of Writing Directive and MLA requirements. Intro to Computer classroom and Internet research strategies. Science Fiction as Mythology of Modern Era.

 

Week 2: Preface: AParameters; Or, Amazing Stories versus Weird Tales, Astounding Stories versus Unknown Worlds,@ Introduction:

AStories for the Millennium: Science Fiction and Fantasy as Contemporary Mythology,@ and Moskowitz= AHow Science Fiction Got its Name@

 

Week 3: AEnduring Tradition of Mary Shelley and Edgar Allan Poe;@ Poe: AFall of the House of Usher;@ Hawthorne: AYoung Goodman Brown;@ Jules Verne=s AMaster Zacharius.@

 

Week 4: Paper #1 due: A Biography comparing three of the science fiction writers you are enthusiastic about already -- 4-6 pages, with MLA documentation according to writing directive.

 

AStories of the Fantastique, Tales of the Quest;@ Wilkie Collins= AA Terribly Strange Bed;@ George MacDonald=s AThe Gray Wolf.@

 

Week 5: Collaborative Presentations: Alcott=s AThe Skeleton in the Closet;@ Joseph Sheridan LeFanu=s AGreen Tea;@ Robert Louis Stevenson=s AThe Body Snatcher;@ Arthur Conan Doyle=s ALot 249;@ Ambrose Bierce=s AThe Damned Thing;@ Bram Stoker=s ADracula=s Guest.@

 

Ray Bradbury=s AScience Fiction: Before Christ and After 2001; Jane Yolen=s "The Lively Fossil...@

 

Week 6: AEdgar Allan Poe, Howard Phillips Lovecraft, and Stephen King B Traditions Before, Between, Since;@ H. P. Lovecraft=s AThe Colour Out of Space;@ W. W. Jacobs= AThe Monkey=s Paw;@ AAncestors and Disciples of Robert E. Howard and J. R. R. Tolkien;@ Robert E. Howard=s AThe Tower of the Elephant;@ J. R. R. Tolkien=s ARiddles in the Dark.@

 

Week 7: F. Marion Crawford=s AThe Upper Berth;@Mary Elizabeth Counselman=s AThe Three Marked Pennies;@ Shirley Jackson=s AThe Lottery;@ Madeleine L=Engle=s APoor Little Saturday.@

 

Week 8: Midterm: Using the following stories and essay, write an analysis and show how the stories fit into the perspectives of Women in Early Pulps.@ Jane L. Donawerth=s AScience Fiction by Women in Early Pulps, 1926-1930;@ Clare Winger Harris=s AThe Fate of Poseidonia;@ Leslie F. Stone=s AThe Conquest of Gola.@

 

Film: TBA; short analysis due next week!

 

Week 9: Collaborative Presentations:

Group 1: Donald Wandrei=s AStrange Harvest;@ Richard Matheson=s ADuel;@ Stephen King=s AThe Raft.@

Group 2: Zenna Henderson=s AThe Anything Box;@ Anne McCaffery=s AThe Ship Who Sang;@ Ursula K. Le Guin=s AThe Ones Who Walk Away From Onelas.@ Group 3: Tanith Lee=s ARed as Blood;@ Jane Yolen=s AThe Malaysian Mer;@ Neil Gaiman=s AThe Troll Bridge.@

Group 4: Edgar Rice Burroughs= Under the Moon of Mars

Group 5: Robert Heinlein=s AThe Long Watch;@ Bradbury=s AThere Will Come Soft Rains;@ Isaac Asimov=s ARobbie.@

 

Week 10: Paper #2 due: Women and Their Science Fiction, 1948 - 1958

 

Judith Merril=s AThat Only A Mother;@ Leigh Brackett=s AThe Enchantress of Venus;@ Margaret St. Clair=s AChildren of the Void;@ Katherine McClean=s APictures Don=t Lie;@ Marion Zimmer Bradley=s AThe Exiles of Tomorrow.@

 

Week 11: Arthur C. Clarke=s AThe Sentinel;@ Philip Jose Farmer=s The Lovers; Andre Norton=s AMousetrap.@

 

Week 12: Collaborative Presentations:

Group 1: C.S. Lewis= AMinistering Angels;@ Kurt Vonnegut=s AHarrison Bergeron;@

Fred Saberhagen=s AWithout a Thought (Fortress Ship).@

Group 2: Avram Davidson=s AOr, All the Sea With Oysters;@ Frederick Pohl=s AThe Fiend;@ Philip K. Dick=s AWe Can Remember it for You Wholesale.@

Group 3: Harlan Ellison=s AI Have No Mouth and I Must Scream;@ Larry Niven=s AThe Jigsaw Man;@ James Tiptree=s AThe Last Flight of Dr. Ain.@

Group 4: Robert Silverberg=s ASundance;@ Frank Herbert=s ASeed Stock;@ Clifford Simak=s AThe Autumn Land.@

Group 5: Joanna Russ= AWhen It Changed;@ Dean R, Koontz= AThe Undercity;@

Vonda McIntyre=s AOf Mist, and Grass, and Sand.@

 

Week 13: Paper #3 due: Your Choice: a literary analysis of anything in our text written after 1973. Use up to three stories which link by theme. Digression from this suggestion only through negotiation (in other words, you have to come up with a good idea and convince me of its validity for the course).

 

Film, TBA. Short analysis due next week!

 

 

Week 14: Roger Zelazny=s AThe Engine at Heartspring=s Center;@ Spider Robinson=s AMelancholy Elephants;@ Greg Bear=s ABlood Music;@ Octavia Butler=s ABloodchild;@ Kim Stanley=s ARemaking History.@

 

Week 15: You pick the reading assignments for this week. Review for final

 

Week 16: Final Examination.