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Character Qualities

Oral

The characters are larger than life (Ong 30, 69-70).

  • Characters seem uncomplicated
  • Unselfconscious
  • Unaware of power one has to project an image in others’ minds and manipulate it
  • Spontaneous
  • Not analytic
  • Lack of concern with the power of the will
  • Unaware of the sense of a difference between past and future.
  • Heroic figures
  • Bizarre, larger than life, supernatural

Examples

  • Notes on Societal or Cultural Hero (scroll down or search)
  • Ugandan dictator Idi Amin's character in the 2006 film, The Last King of Scotland - IMDB Trailer
    • "I may wear the uniform of a general, but in my heart, I am a simple man."
    • "Scottish? Why didn't you say so?!"
    • "I am you."
    • "You want to kill me!"
    • Nicholas Garrigan (to Amin): You're a child. That's what makes you so fucking scary.
    • "You are like my own son."
    • "You have most grossly offended your father."
  • This article from a news magazine shows a modern oral character in action who needs for his followers to believe he is larger than life.

"Reading Saddam's Mind - For U.S. intelligence, it's been a maddening exercise"

In hindsight, maybe he should have kept his mouth shut. It was the summer of 1986, and Iraq's Fao Peninsula had just fallen to the Iranian Army. Saddam Hussein was livid. With his top military advisers, he planned revenge. But one general, Salah el-Kadi, argued against a massive counterattack. Defeat was certain, he warned. Saddam ordered the man to his feet. "You are a coward," he bellowed. Unholstering his revolver, Saddam backed el-Kadi against a wall and fired six times into his chest. The others in the room froze, recalls bodyguard Karim Abdallah al-Juberi, who witnessed the killing. But Saddam sat down and calmly continued the meeting as though nothing had happened.

Saddam's reckless and unforgiving management style keeps his troops in lie but gives Western analysts fits. Since the gulf war, the Iraqui dictator's utter unpredictability has frustrated attempts to psychoanalyze his behavior -- and figure out what he might do next. At times his actions seem to defy logic. Why, for instance, did he choose to provoke the United States just when he was about to clinch the oil-for-food deal he'd demanded for so long? In fact, it might not be as crazy as it looks. Saddam is far more concerned with flexing for his Arab neighbors -- and reminding his own Republican Guard that there's a price to be paid for crossing him.

Saddam had to do something. In recent months, his power base has eroded. Even Saddam's top advisers began to doubt his staying power. Ever paranoid of coup plotters, he rarely sleeps in the same place two nights in a row, has a mustachioed double to stand in for him at public appearances, and routinely takes over the homes of Iraqui citizens for government meetings. " Joe Blow family might get kicked out of its apartment for a few days out of the blue to make way for a cabinet meeting," says Michael Eisenstadt of the Washington Institute for Mideast Policy.

But, as the saying goes, even paranoids have real enemies.... When more than 1,000 iranian troops crossed into Iraq ... in July, Saddam needed to prove he was still in control. .... Last Thursday, Baghdad boasted it had fired three missiles into the no-fly zone, "scaring" the United States away. In fact, the missiles didn't get anywhere near any coalition planes. But the risky maneuver got the attention - and quiet admiration -- of Saddam's neighbors. "He's trying to divide the coalition and win his way back into the Arab heart," says State Department spokesman Nicholas Burns. Saddam may have also had another, more prosaic reason for attacking. "For nearly two years the world has been talking about Saddam less and less," says Haifa University's Amitzia Baram. "He just couldn't stand it." Saddam's outsize ego, after all, is one thing that all his would-be mind readers can agree on.

Weston Kosova with Melinda Liu
Newsweek, 23 Sept. 1996, p. 34

Literacy

As literacy developed and democracy took hold socially, characters in drama came from the working classes, no longer the ruling or socially prominent ones. Characters are life-sized because the reader can flip back if s/he forgets who a personage is.

Characters seem more complex:

  • Conscious of projected image
  • Aware of power one has to project an image in others' minds and manipulate it
  • Introspective, reflective
  • Analytic
  • Aware of the power of the will
  • Aware of the sense of difference between the past and future.
  • Everyman and antihero
  • Life-sized characters

Examples

Exception: Primally-strong emotions trigger a default back to the oral mode.



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