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THE SITE:
The story of the
house at 310 West Ashby and the people that have lived there is the story
of burgeoning prosperity in central Texas. Until 1886, the Indian menace
prevented the development of the city to the north beyond San Pedro Springs-that
favored spot for picnics in the country as well as the end of the street
car line. The capture of the infamous Apache chief, Geronimo, in that
year, along with the decline of the outlaw and road agent, allowed unfettered
development of outlying suburbs without fear of harassment. Real estate
developers opened Laurel Heights’ Place in 1890-91 along with other
residential additions north of the center of town such as Alamo Heights
and Beacon Hill.
According to family
legend, Koehler selected as the site for his home a hill on Laurel Heights
Place overlooking the skyline of the city which, of course, included an
unobstructed view of his brewery. Sitting on his porch, he could determine
whether his employees were hard at work by the color of the smoke issuing
from the brewery’s stacks.
The Koehlers were
first listed in residence at the corner of Lewis and San Pedro in the General
Directory of the City of San Antonio of 1901-02. Later City Directories
recorded the address variously as 410 West San Pedro in 1903-04, 310 West
San Pedro in 1905-06, and finally as 310 West Ashby. The land on which
the house is situated occupies one square block bounded on the north and
east by Ashby and Lewis Street and on the south and west by Courtland
and Belknap. The pride of the Tobin Hill Neighborhood Association, the
house stands just beyond the southern boundary of the Monte Vista Historic
District.
THE ARCHITECT:
Carol von Seutter
was the architect of the Koehler mansion, then touted as the most costly
private residence in the city. Seutter had worked as a draftsman for James
Riley Gordon, architect of the Bexar County Courthouse, from 1894-96.
He completed his professional training and entered into partnership with
another architect. The firm of Murphey and Seutter was listed in city directory
of 1897-98. In 1899, the partnership was dissolved and Seutter maintained
architect’s office at frequently changing locations for at least
three decades. Jacob Wagner was the contractor for the Koehler residence.
Temple Beth-el (1927)
on the southwest corner of the Ashby and Belknap was also designed by
Seutter in partnership with Malcolm G. Simons.
STYLISTIC
ANALYSIS/CONSTRUCTION:
Architect and patron
alike shared a love of the typically Victorian showy facade. Forms culled
from styles of the past were combined by Seutter in more or less new combinations
as was the fashion. Eclecticism was one of the dominant features of the
architectural scene between 1890-1915.
The rustificated
stone exterior of 310 West Ashby offers many delightful details to arrest
the eye. Friezes ornamented with sculptured garland, logic columns, and
balustrades as well as Italian Palladian windows were Renaissance elements
which provided inspiration for the architect. The massive round arches
at basement level as well as polygonal turrets, round bays, and the asymmetrical
disposition of the masses reflect the strong influence of the Richardsonian Romanesque style which the architect, Carl von Setter, undoubtedly
learned during his apprenticeship with Gordon. The romantic notion that
the house was inspired by the castles along the Rhine may be born out
by the polygonal roof turret which is reminiscent of the onion domes of
the German Baroque epoch. The interior space cover a total of 12, 655
square feet which is divided between a basement ( with a one-lane bowling
alley!) and three upper level floors. The top floor was transformed into
a private night club during the late 40s.
LANDSCAPING:
Mr. Koehler took
the greatest pride and pleasure in his home and the broad terraced lawns
were his special province. G.A. Schattenberg, owner of Waldheim Nursery
in Boerne, Texas, did the original landscaping, providing only the choicest
specimens for his friend. It was said that Koehler never left San Antonio
for an extended absence without giving special instructions to his gardener
for the care of his flowers and trees.
OWNERS OF
THE PROPERTY:
Otto Koehler was
born in Aldfeld, Hanover, Germany on April 28, 1855 and received his education
in the Seminary School of Aldfeld. Immigrating to the United States in
1872, he settled in St. Louis and soon found employment with a firm of
Griesedieck Brothers. Brewers. Mr. Koehler came to San Antonio in 1884
and was one of the organizers of the San Antonio Brewing Association known
as the City Brewery, now Pearl Brewing Company. Early in the history of
the enterprise, he became its president. He was the principal owner of
the famous health resort Hot Sulphur Wells, south of San Antonio. He organized
two mining operations and a rubber factory in Mexico as well as serving
as president or director in fifteen different corporations. He had many
associations with the city which he was proud to call his home and was
a strong supporter of the Chamber of Commerce. Koehler died in 1914.
Otto A. Koehler,
son of the first Otto’s twin brother, made his boyhood home with
his aunt and uncle, and upon Mrs. Koehler’s death in 1943, he and
his wife Marcia assumed ownership of the mansion. An official biography
states that Koehler was born in North Warren, Pennsylvania in 1893, however,
family members assert that he was actually born in Germany. He joined
the Brewery in 1921, subsequently becoming chairman of the board and president
of the Pearl Brewing Company. The second Otto Koehler died in 1969.
Otto and Marcia Koehler
deeded the spectacular estate to the San Antonio Union Junior College
District for the use as the Koehler Cultural Center in 1971.
ADAPTIVE USE:
The property was
jointly operated by the Junior College District and the San Antonio Art
League as an art center for the San Antonio area until 1988, at which
time the operation of the Koehler Cultural Center was taken over by the
Alamo Community College District. The residence and spacious ground have
been renewed with an eye to preserving the original appearance.
Today the mansion
is a focal point for the educational and social life of the community,
but perhaps more important, the students of San Antonio College, St. Phillips
College, Palo Alto College and Northwest Vista have access to living history.
With its future assured, the Otto Koehler residence forms an important
part of the architectural heritage of central Texas-a “recycled”
landmark that will continue to enhance our lives through new uses.
The history of the
Koehler Cultural Center was written by Mary Hollers George, Associate
Professor of Art History, San Antonio College.
Reservations for
the use of the Koehler Cultural Center first floors and grounds can be
made by calling the San Antonio College Facilities Management Department
at 486-0876.
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