The Greek Painted Vases
Continuing the exploration of ancient Greek art
When Greek painting is discussed, it is usually the vases that are mentioned since so little of Greek wall painting remains.  The vases, however, show a great variety of style and development over the centuries, beginning with the geometric and very linear style, continuing through the "orientalizing" style which borrowed images from the eastern world, and into the classical era with mythology portrayed with as much classical perfection as the ancient Greek potters and painters could muster.
Attic high geometric amphora
Geometric vase from the Dipylon cemetary
Proto attic vase

"Attic Geometric Amphora" from 8th Century bce. 20" h. Staatliche
Antikensammlungen, Munich

"Geometric krater from the Dipylon cemetary, Athens, c.740 bce.  Geometric designs cover this terracotta 42 5/8" high vase.
Metropolitan Museum of Art. See Page 102 Gardner text.
Geometric style vase from the Dipylon cemetary, near Athens. 'Protoattic" vase with sphinxes by the Analatos Painter. c.690  bce. Sphinxes and other
designs seen here indicate an "orientalizing style."
The "Orientalizing Style" of Greek painted vases is marked by the imagery of the Near East, including zoomorphic imaginary animals and other designs traditionally identified as originating "east" of Greece.
Hydria with black figure decoration
The Francois Vase by Ergotimos and Kleitas
Athenian red figure hydria
"Hydria" with Black-figure decoration by the "A.D. Painter" portrays "women at a fountain house."  c.520 bce, 20 7/8" height.
Museum of Fine Art, Boston
"The Francois Vase" by Ergotimos and Kleitias  is an Attic Black-figure Krater from Chiusi, c.575 bce and   26" height.
Museo Archaeologico, Florence
"Athenian Red-figure Hydria"
Moving into the Greek classical era, the painted vases become extremely refined.  The images usually relate a story about the gods and goddesses, the heros and heroines, or show people engaged in religious and daily activity.
Large re figure krater
Red figure amphora from Vulci
Red figure amphora by the Achilles painter
Large Red-figure Krater painted by Euphronios. "Revelers" is a Red-figure Amphora from Vulci by Euthymidex, c.510-500 bce, 24" high.
Staatliche Antikensammlungen, Munich
Red-figure Amphora by the Achilles Painter, c.450 bce, from Stamnos.
Attic bilingual amphora
Black figure amphora by Exekias
Red figure side of the attic bilingual amphora to the far left
Andokides Painter, Achilles and Ajax playing a dice game (Attic bilingual amphora), c. 520 bce. See Page 115, Gardner text.  Museum of Fine Arts, Boston.
Black-figure Amphora from Vulci by Exekias c.530 bce. 24" high.
Vatican Museums, Rome.  See detail below.
Red figure side of the Attic bilingual amphora at the far left.
Detail of a black figure amphora
Detail from an Athenian black-figure amphora by Exekias, "Achilles and Ajax playing a dice game," c. 530 bce.

Vatican Museums, Rome


Bronze with silver krater
Gold amphora
"Dherveni Krater" from the 2nd Century bce is bronze with silver incrustations.  27 1/2" high.
Archaeological Museum, Salonika
Gold Amphora with figures of centaurs as handles.  From a find of gold vessels at Panagurishte, Bulgaria.  c.3rd Century bce.
Page Updated 8/27/08
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Copyright M. Hoover and San Antonio College, September, 2001.  All rights reserved.