| Hindu art, unlike Buddhist art, shows the human figure curved, voluptuous and filled with potential motion. Parvati below is shaped and dressed (only in jewelry to emphasize her sexuality and a crown) like the Yakshi. Ganesha, the elephant-headed god in the center, is corpulent, the result of "good living." Vishnu on the right is portrayed with a fit, but soft body, and with four arms to show his many powers. |
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Bronze, 27 3/8" high. Metropolitan Museum of Art, New York |
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Metropolitan Museum of Art, New York |
| The body types of the figures below are intended to be sensual. Indian art from its very beginning in the Indus Valley already portrayed a soft and sensual human figure. Ancient beliefs in India, which later infused both Buddhism and Hinduism, understood the human body as an aesthetic form second only to the deities, and human sexuality as a metaphor for the union of the human soul with the divine. |
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Metropolitan Museum of Art, New York |
Metropolitan Museum of Art, New York |
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See the "Visvanatha Temple," on page 183 of the Gardner text. |
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Government Museum, Madras See similar image in the Gardner text, page 184 |
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| Page Updated 8/18/06 |
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Copyright M. Hoover and San Antonio College, August, 2001.
All rights reserved.
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