CHAPTER 33
THE DEVELOPMENT OF MODERNIST ART:
THE EARLY 20TH CENTURY

1.  Read the chapter.

Examine German Expressionist printmaking in an exhibit entitled "Walking a Tightrope" from Grinell College, then explore this wonderful "On-Line" exhibit at the Minneapolis Institute of Art entitled "Modernism On-Line."

2.  Art terms:

abstraction     caricatures 
avant-garde               "dada" 


primary colors         complementary              expressionistic
illusionistic
"passage" techniques
The City, by Fernand Leger, 1919
collage
frottage
manifesto
values
washes
ready-mades

3.  Issues and topics for discussion:
  • Discuss the term 'expressionism,' especially the differences between German Expressionism and Abstract Expressionism.  See page 964 and  Chapter 34, pages 1037-1038.
  • How did the Fauvist movement contribute to the direction of art 'by demonstrating color's structural, expressive, and aesthetic capabilities?'  Provide examples to show how Fauve color was used differently.  See pages 964-966.
  • Describe some of Vassily Kandinsky's ideas that led to a complete abstraction in art.  See pages 968-970.
  • Trace the origin of Cubism, and the differences between analytic and synthetic Cubism.  See pages 970-975.
  • Discuss some of the issues of the Futurists in their call for radical innovation in the arts.  See pages 975-977.
  • How do both Dada and Surrealism challenge and free artistic conventions?  See the discussions on pages 980-986 and pages 996-999.
  • Kasimir Malevich and the other Russian artists intended to create a new innovative art to express the new utopian reality in the aftermath of the Russian revolution.  What were the theories, concepts, and forms of this new art and why was it ultimately rejected in Russia?  See pages 1003-1006.
  • Discuss the 'universality of non-objectivity' and how this applies, in practical form, to the art of De Stijl and the Bauhaus?  See pages 1006-1008.
  • How is the 'Purist' house style of Le Corbusier different from the 'Organic' prairie house style of Frank Lloyd Wright?  See pages 1012-1017.
  • What political themes -- internationally, nationally, and regionally -- are addressed in the art of the 1930's and why does it seem appropriate at that time?  See the discussions on pages 1020 to the end of the chapter. 

4.  Art to remember from the text:  

5.  Visit these sites on the Internet:

    a.  Matisse art gallery  -- view as many of Matisse's works as you can!
    b. Visit the Picasso Museum in Barcelona, Spain.  Cite is available in Spanish.
    c.  Explore "Kandinsky:  Composition -- A Review by Mark Harden" for excellent information and seven beautiful images of the work of my favorite artist!
    d. Here are nine analytical cubist works by Georges Braque.
    e. Explore unique Spanish architecture in  "The Masterworks of Antoni Gaudi."
    f. Visit the National Gallery of ARt and view the exhibit "Matisse and the Fauves."
    g. Examine the Diego Rivera Mural Project from City College, San Francisco, originally painted in 1940 for the Golden Gate International Exposition.  Cite is available in English and Spanish.
    h. Explore the art of the Harlem Renaissance in a show called "Rhapsodies in Black."


6.  Write a one page report that responds to one idea/issue/work of art from #3 or #4 above.  Send your report through the LISTSERV.  See the Schedule for the date due.
7.  Provide a thoughtful response to someone else's report through the LISTSERV. See the Schedule for the date due.
Page updated 7/5/06
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Copyright M. Hoover and San Antonio College, March 15, 2002.  All rights reserved.